Sunday 23 July 2023

THE POWER OF PRESENTATION

 Pimp My Talk: A Quick Guide to Great Presentations

FOREWORD

            We all nurture secret ambitions of great success.  It could be the idea of becoming an entrepreneur or seizing an opportunity for advancement in a large corporation.  As a professional of any type, whether physician, banker, executive, salesman or CEO, there is one skill which can singlehandedly make or break a career: delivering a fantastic live presentation.  The ability to develop and deliver a dynamic and memorable speech can, in a single day, make the difference between standing out and rising above or blending in with a very large crowd.  Many great careers have been built on one’s ability to ‘wow’ an audience, and here’s a secret: anyone can learn to be a great public speaker.

            Most people rarely face the need to ‘Give a Talk’ or ‘Make a Presentation’. For many of them, a conference is anathema, to be treated like the plague. Rather than embrace and plunge into the opportunity, they look to shun it at any cost. It doesn’t have to be that way. The gift of being a great public speaker is within reach of everyone.  With practice and preparation, anyone can master the building blocks of being a great Presenter.  Being a good public speaker is a cornerstone of any successful role as a leader and the confidence that comes with comfort in front of a crowd is an essential and possibly, stand-alone skill, boosting your ability to lead. 

            Whole careers have been dedicated to the art of public speaking, and learning to charm, entertain, inform and motivate an audience is a lifelong undertaking. But the skills are neither obvious nor inborn: they must be cultivated and honed. This is one case where the old adage, ‘Practice makes perfect’, holds good. 

            So how do we address an audience?  By reviewing and understanding the basic theory behind great presentations. Anyone who gets that under his belt can begin the journey toward being a terrific public speaker.  This guide is meant to be a starting point. Let this booklet be a launch pad to a skill set that will pay dividends many times over.  Start now…you’ll be way ahead of the game when that ‘big talk’ comes your way. 

INTRODUCTION

Introduce Yourself

           Yes, today IS your big day. So there you are, seated in the corner seat of the front row of a brightly lit briefing hall (auditorium, conference room) nearest the podium, more than a trifle nervous with the adrenalin making your heart thump like Tarzan’s jungle telephone. That’s quite normal. Actually, it occurs before you step on stage. Once you're up there, it usually goes away. Try to think of nervousness in a positive way. Fear is your friend. It makes your reflexes sharper. It heightens your energy, adds a sparkle to your eye, and colour to your cheeks. When you are nervous about speaking, you are more conscious of your posture and breathing. With all those good side effects you will actually look healthier and more physically attractive1. Every public speaker goes through this phase, so take a few deep breaths and smile. Don’t worry, you won’t have to yell “Kreegah! Tarzan bundolo.”

            You’ve made the seating plan, so you already know who should be sitting where. Casually turn around and confirm that fact. As the hall starts to fill up, recheck that your pre-tested collar remote mike is firmly attached, the laser pointer is nestled safely in an easily accessible pocket, the remote control for your projection system is in one hand and for lighting, in the other. If you listen carefully, there will be a fair amount of light chatter, as the people in your audience interact with each other. What this means is that you’ll need an attention-getter that will force everybody present to stop what they are doing and look at the most important entity in the hall-YOU.    

            At the pre-ordained time or when you see that everybody is in, switch off the lights, plunging the room into darkness. Stand up and flash the first slide: A photograph of you, full frontal for best effect, placed along the left vertical edge. The topic of your presentation fits alongside, in nice bold letters, followed by your name and designation. The date and time follow. Walk to where you are close to centre stage, gradually increasing the overall luminosity to the ideal level,4 ensuring that your shadow is not cast on the screen. Your next sentence is, “Yeah, that’s me all right, so what if it’s me who’s made this slide.” Expect some polite titter, and smile widely. Switch off the slide. This is one example of how an attention-getter works. Get rid of the power control remote as discreetly as possible.

          Your audience would have read the slide by themselves. If they can’t read ten words in six seconds, either they or you’re in the wrong auditorium! One informal but not impolite slide and your short sentence would have set the tone and tenor of your presentation. It is crucial that you make a good first impression because you will be selling yourself to your audience shortly. It takes anywhere from four to seven seconds to make a lasting first impression.1 And if you want to succeed, you HAVE to make a favourable first impression.2

           Your next sentence should be somewhat staid. After all, a presentation is a serious affair, not a stand-up comedy or a Jay Leno show. Ideally, it should be along these lines, “Good morning and thank you for coming. In the next twenty-five minutes, I shall be talking about…………….(topic). I’ve spent twelve years in this business and have learned a bit, enough to tell others, I mean. I’ve kept the breakdown of how I intend to discuss the subject simple. I’ll first take up xxxxxxxx, followed by yyyyyyyyy and then combine the two to discuss zzzzzzzzzz, before rounding off.” Then comes your second slide, and you add, “There you are.”Keep ALL slides simple, short and to the point3, so that you can switch them off after a short pause. 

           The key word in visual aid is aid, but what is amply visual and connectable and, therefore, the surrogate key, is YOU. While your audience reads this slide, take that time to think about what’s next. Coming back to reality, add, “If there is something you don’t follow, or need clarification, I think it would be best if we take it up right after the coffee break. Smile again and add, “After twenty-five minutes of me, you’re gonna need that coffee break, believe me.” You may have noticed that I have used the word ‘smile’ repeatedly. That’s because it is a massive weapon in your armoury4.

           Retain the interest of your audience by giving them some important and interesting information to open up the topic. If you were planning to talk about the manufacture of clothing or white goods imported from a third-world country which gains handsomely from the contract, you could give them stark figures about poverty. You could ask, “Did you know that more than half the world survives on less than $2 per day?” Then add some facts, “That’s around three billion people. And of that half, 50% survive on less than $1 per day.”5

1 Johns Hopkins Medicine: Service Excellence: hopkinsmedicine.org
2 EruptingMinds Self Improvement Tips: eruptingmind.com
3 Reducing Amount of Text on your PowerPoint Slides: presentationadvisors.com
4 How to give a GOOD Presentation: Tips and Suggestions: lrc.centennialcollege.ca
5 World Poverty & Hunger Facts: cozay.com
          

Contrapunt

            Let’s first consider hiring an expert. Why engage a professional presenter? “Because he is a pro on the subject and will deliver. Everybody will gain.” To me, that’s pure poppycock. I won’t deny that he or she is probably the last word on the subject. But they know nothing about the insides of your organization, your chain of actual command, not what is displayed on your company’s website; your line and staff layout and duties delegated; the ambience in your firm and interpersonal relationships, or anything related to individuals that are the body and soul of your company. His presentation will be construed as an imposition by many and a free coffee break by others. This lot is not going to carry away any tangible gain from the presentation and the onus of implementing new concepts suggested by the speaker will fall squarely on the Managers. Besides, experts carry steep price tags and have a host of demands that must be confirmed before they condescend to come address you. OK, fine, that’s the wrong avenue; forget imported speakers. They are, de facto, meant to address a gathering of leaders of many companies, not a simple single company like yours.

           But then, even if the speaker or speakers are from within the organization, setting up a conference is no mean task. A group of people is taken off their normal production line for the seminar or meeting, leading to a loss in productivity. Conference space must be available, often at some expense.  Necessary audio-visual equipment is either purchased or rented.  The meeting requires support staff and publicity.  Even simple catering adds to the cost.  Printing, postage, planning and cleaning-up add to the logistics.  And this meeting is either in-house or at a local convention centre! Such meetings are a luxury: an expensive mode of communication.

           Let’s go the whole hog and plan the conference at a popular resort. Now you have to factor in the cost of travel to and from that resort, boarding and lodging, regulatory/educational requirements and honoraria, and you end up with a big package, a steep price to pay for what might be considered just a gathering for information transfer!  Isn’t there a cheaper alternative, say, a book?

          Of course there is. A book might well serve the purpose.

          But then you miss out on something truly unique. The chance of a live face-to-face meeting: the one characteristic which sets this modality apart from other viable options, and the one feature which provides the opportunity of full exploitation to justify the huge expense: it is not a book! Instead, your presentation is an animated, energy-filled, creative, entertaining and customized one-time-only live event.  The human touch is precisely what sets a speech apart from a book. This is an event where you need to prepare, refine, focus and shine.  Herein lies the essence of public speaking: the ability to amplify and exploit that very same distinction optimally and prove your worth to your organization.

           For most people, rather than embrace and plunge into the opportunity, a conference is “the plague”.  It evokes anxiety taken out as anger on innocent bystanders, calls for a lot of attention and Librium pills, leads to a mediocre performance, and is quickly forgotten by the audience and scrapped from memory by the speaker.  It’s tough to master an “occasional use” skill, and who wants to seek out a terrifying experience, that too voluntarily? Frankly speaking, I liken it to bungee jumping. Get over the heart-stopping first jump and soon you’ll be boasting about how regularly you jump off the bridge.

          The gift of being a great public speaker is within reach of everyone.  With practice and preparation, anyone can master the building blocks of being a great presenter.  Unfortunately, the mentality of the average person limits him to just be a good speaker and in time, a good presenter. Notice that I have used the term ‘average’ to rate the person, and the comparative ‘good’ for the same person in oratorical skills. That’s one level up, and this person conforms to the Maslovian hierarchy. But the ability to “WOW” an audience is a critical, often neglected skill.  And the confidence that comes with comfort in front of a crowd is an essential and possibly stand-alone skill, for leadership.  So how do we sort this problem?

           By starting from scratch! That’s exactly what this guide is all about.

How to Become a Good Presenter

          The first step towards becoming a good presenter is to become a good public speaker. There is a major difference between the two. A presentation, as the term connotes, employs visual aids to convey info or reinforce a point made during the presentation; a speech relies on the magic of words alone to create feelings and images in the minds of the listeners. The disadvantage that a speaker faces is that he cannot talk too much about numbers or rates, etc., nor can his speech be too long. His audience will not be able to remember what he has said. This is where the presenter scores over the speaker. He can project a chart onto a screen, supporting what he has said. A simple example would be a comparison of Gross Domestic Product in 1990, 2000 and 2010 in billions of dollars, using separate colors for each year, and displaying the variation in percentages. The audience would easily comprehend and remember this data. I need hardly restate that an audio-visual presentation is the most effective form of communication. But you still need to know how to speak. And speak well!

The Importance of Public Speaking 

          Over 99% of the educated masses have asked this question: Why do I need to learn how to speak in public? The answer has invariably been the same, as has its riposte: Every person recognized by history in the past and reputation today was/is an excellent public speaker. Only names change, from Becket to Cromwell to Hitler and Churchill, from Kennedy to Gorbachev to Clinton and Bill Gates…….the list is never-ending. “But I’m not going to become a President or multi-billionaire!” True, but if you have any ambition in life, one day, sooner than later, you will be called on to give a speech and then speeches. Your audience will grow in size as your speeches increase. Somewhere in between, you will start making presentations, again with increasing audiences, with financial and executive decision-makers from your and other organizations listening to and watching you.

           Over half the English-speaking population do not rate public speaking skills highly because they labour under the misapprehension that good public speaking skills are only for people in sales or marketing. More often than not, it is these people that get tongue-tied and lapse into a state of total meltdown when told that they would be presenting a topic in public, even a topic they know inside out. Public speaking skills are the physical part of communication skills and good communication skills are crucial for any career unless you are the only person in the entire office. Lack of good public speaking skills is one major reason why a lot of intelligent ideas by some of the brainiest people on the planet are discovered many years after their death11.

           J.Doug Jefferys, another expert on public speaking reproduces an amazing chart from the Book of Lists 1977:

           Man’s Greatest Fears--

  • ·        Speaking to a group 41%     
  • ·        Heights 32%
  • ·        Insects and bugs 24%
  • ·        Financial problems 23%
  • ·        Deep Water 22%
  • ·        Sickness 20%
  • ·        Death 19%
  • ·        Flying 18%

          The fear of speaking is 41% against just 19% for death. One could fairly summarize that a person giving a eulogy at a funeral would rather be in the coffin! The sharp-eyed amongst you will notice that the total of the percentages exceeds 100%. True. Jefferys clarifies that in this survey people were asked to list their top THREE fears. The list describes what percentage of total respondents included the particular fear in their choice of three.

Why Learn to Present?

            A great speaker stands out from the crowd, precisely because most speakers are “average”.  Average speakers are a bit nervous and it shows.  An average speaker devotes a lot of time preparing for his talk but, because of an inefficient method, his time spent does not directly translate into an effective presentation.  The typical speaker will use PowerPoint as the primary tool to develop his speech, and the resultant “slides” as the focus: PowerPoint is the star of the show! Slide after slide of dense clutter, using all the whiz-bang animations available, fills the screen.  The speaker is relegated to the job of “slideshow accessory”. 

             Oh, but it gets better!  The handout: a verbatim copy of the slides (three-to-a-page, of course), swelling into a tree-slaughtering half-ream, too thick for a standard stapler!  Distributed at the beginning of the talk, the sound of page-rustling fills the room with every pause.  Hiding behind the lectern-fortress, the speaker reads the slides aloud, while using a laser pointer to direct the half-asleep audience to the words on the screen.  Those who are not yet asleep soon will be, once they finish silently reading the handout…at about triple the rate of the speaker.  Then they will sleep.

            In contrast, a great speaker presents from memory.  Knowing what to say, yet still sounding real, live, and spontaneous.  The occasional reference to slides and other visual aids serves only to enhance what could otherwise be easily delivered without them.  In seemingly automatic synchrony, graphics, instead of words, appear on the screen, clarifying the main points.  Very smooth!  Each audience member forgets he is part of a crowd: the speaker is speaking to them. 

            Energy.  Live.  Dynamic.  Even a bit funny.  A few surprises pop up, here and there, to keep the event lively.  The entire speech progresses with a sense of direction and purpose. Which speaker do you want to be?  Great speakers are respected as “experts”, superior to others with similar knowledge or credentials.  By opening up doors, you will get invited to conferences, network with other leaders, and quickly establish your expertise…and leadership.

Understanding Why Public Speaking Is So Important

          We are now in a position to set valid points carried over from the previous paragraph in concrete:

LEADERSHIP.  Competent public speaking is a cornerstone of leadership.  Motivating a group of people toward a desired goal is an essential skill which sets apart great leaders from the crowd.  Sooner or later, you will be faced with this task.  Being ready to pounce on that opportunity can make a pivotal difference in your career.  That’s right: one hour of your life can alter its course!  Do you want to be the speaker that makes everyone yawn, daydream, roll their eyes, and goof off with their seatmates?  Or the one who commands an audience, elicits head nods, trips the occasional burst of laughter, makes the hour fly by, incites action, and becomes the new boss?

PERSUASION.  The art of influence is what makes great leaders stand out, and persuading a crowd using the magic of words is the pinnacle of vocal achievement.  And since it takes time and practice to be comfortable with these skills, you must start developing these skills early…way before the need arises.  Begin to cultivate the necessary skills long before you are called to the podium.

CHARACTER.  By mastering the art of public speaking, you will have an extra, secret tool at your disposal: one that truly sets you apart.  You possess a magical knack for assembling plain data, ideas, statistics, and opinions, and adding a layer of sparkle and creativity to truly make it yours.

NO RULES.  A wonderful feature of being a speaker is the freedom of creative expression.  Your mandate may be to sell, to motivate, or to inform, but how you do it is completely up to you: there are no rules!  Therein lies great freedom which is arguably the most rewarding aspect of a speaker’s job.  Let go!  Own it!  Have fun!  Make it yours!  The more clever, creative, dynamic, funny, and interesting you are, the more successful your speaking career will be.  And here’s why:

ENTERTAIN.  A conference, a meeting, or a keynote is, by definition, a form of work for the audience.  Otherwise, it’s called something else, such as a show, a concert, or a stand-up comedy.  But, out of a boring table of data, a cryptic financial report, a tedious workplace project, or a high-stakes business proposal, you morph a day at work into entertainment.  That’s cheating!  Work’s not supposed to be…fun!

          What a clever way to catapult your career!  You see, people get paid to work.  And when they are not working, they spend their money on entertainment.  And you figured out a way to sneak in a little fun on the job.  But don’t worry: you won’t offend anyone by entertaining while you get the job done.  In fact, your phone will ring off the hook for repeat speaking engagements: meeting organizers LOVE entertaining speakers, and will home in on you like a smart bomb!

SELF CONFIDENCE. By speaking convincingly in public, you'll see your self-confidence increase. You will overcome one of the most prevalent fears in this part of the world as just shown (41%). Speaking well regularly in public will make you comfortable with other people, even strangers. In time, you will be able to hold your own in a room full of unknown faces. It will add finesse to your daily verbal and non-verbal commn skills. Using public speaking to get your message across is a great way to humanize it, regardless of what that message may be!

CAREER BREAK.  Luck comes to those who are most prepared.  Behind every great fairytale of success, there is the real story of hard work.  What will your story be?  You have made a decision to cultivate skills as a speaker, and have already begun to study the theory behind it.  Over time, you will practice this skill, embracing every opportunity to address an audience, develop material, expand your skills, and constantly critique your performance.  Eventually, your comfort on stage shows in your ability to relax, enjoy the moment in front of an audience and drive your leadership – and career – to new heights.

DURATION. Stephen D. Boyd, writing for ‘The Sideroad’ avers that audiences remain interested in speakers who get their points across in a short period of time. Television and advances in mobile telephony as well as the advent of gadgets that are palm-sized or a bit larger, like Apple’s multi-application IPad have created an impatient society, where audiences expect you to make your point simply and quickly, a fact noted by the eminent feminist, Patricia Ward Brash.   Today, great speakers are noted for their brevity. Billy Graham speaks for just over 20 minutes. No Kennedy speech was more than 20-30 minutes. He wasted no words and his delivery wasted no time. 12 Common consensus has it that a good speaker starts to lose his audience around the 25-minute mark. An authoritative personality slips in another five minutes, whereas a controversial or sexually-oriented subject allows the speaker to reach 40 minutes. All this is without audience participation, of course, as that would drag the speech beyond its remit and time catered for.

THE POWER OF THE PAUSE. In order that your audience really gets a chance to take in what you are saying, stop talking. Stop talking long enough for your audience to ingest the last thing you said, get a mental image of it and try and put it into a familiar context before moving on to the next thing you are going to say. Most experts believe that a slide that stays on screen for one minute remains in the back of the average listener’s mind for 4-5 minutes, till presented with another slide. Thus, the great presentation will have two slides in the introductory phase and between 4-5 slides for the presentation itself. The super presenter will have very few slides, never more than 6-7. He will always leave the slide on for a minute, taking time off to think ahead.

            These are hardly all of the reasons that public speaking is important. Given enough time and effort, you could probably make a list that spans several typed pages. The point remains, though, that public speaking IS an essential ingredient to a successful, empowered life. If you can master the finer points of public speaking, there's a fairly good chance you'll be able to tackle and master other opportunities and obstacles that come your way. So, do whatever you can to prepare yourself to be a better public speaker. Don't let yourself be like the majority of Americans who are more afraid of giving a public address than they are of dying!

What Makes A Great Presentation? 

            There are four ingredients in a presentation, as we’ll soon see. The most important factor that controls the quality of the presentation is the speaker, the first ingredient. You have to be an excellent public speaker with the ability to run through your entire speech without once referring to your notes or what’s projected on a slide. However, you must know what is written on each slide─ if you are using them, which is advisable if only to create an interval and give you both breathing space and time for reflection─ and when to project it for maximum impact. Thus the second ingredient is the audience and the connection between these two is the third ingredient, the subject matter and the message it conveys.

            A great speaker seems confident: ‘in command’ of the situation. He/she is likeable.  The motivation is there for everyone to see. And there seems to be an added layer of creativity to the material.  Rather than reading lists of data, churning out a bunch of ideas, or grinding through a spreadsheet of numbers, the speaker seems to be telling a story. The subject flows naturally and logically, in a comfortable sequence.  Difficult concepts are portrayed succinctly.  The speaker is ‘live’; there is palpable energy or dynamism.  Vibrant enthusiasm brings the material to life, but the speaker doesn’t get carried away and remains self-effacing.  There is a coherent theme and a subtly recurring core message.  This adds credibility to the speaker’s image, and it is this credibility that constitutes memory in the listener’s mind. In the end, the message is a simple, clear, and memorable one.

            You will not be able to do this overnight. The ability to be live, responsive, spontaneous and funny, are skills which come with time. You will pass through and overcome stage fright. Everybody else has. It's only a matter of time and experience. This same experience will teach you to spot what works in a jiffy.  You will learn how to cope with a small conference room one day, and a large auditorium the next, each with its own set of acoustics. Adjusting to the makeup of the audience, distraction levels like a second conference room next to yours, with wrong people poking their heads around the corner and even the time of day are all subtleties that you will learn to harness with experience. A sense of ‘being in the moment’ will come with time.  Rather than feeling constrained or on the spot, you will develop a loose, calm, relaxed sense of control and enthusiasm that will resonate with your audience. Time is the best teacher there ever was.

            According to Diane DiResta, an authority on Public Speaking and Presentations, “You can get and retain the interest of your audience by your message and your value to the marketplace through effective public speaking wherein your ‘Presentation Skills’ are the most competitive weapon.” What is startling is the set of statistics she speaks of: “If communication was to be considered 100% of your message, your body language contributes 55%, your voice 38% and your words used just 7%.” Does that alter your views about communication? You bet it does. People will discount what they hear in order to believe what they see. That holds good for you too, if you were up there presenting. People will discount what you say for the same reason. Such is the power of observation. So how do you get their attention and bring them along in your message? By strategically being a listener and not speaker-centric!

            Empathy is a forgotten presentation skill. Empathy is the ability to understand the thoughts and feelings of others, making us more successful in our personal lives and careers because it is a binder connecting us with those around us. If a speaker lacks empathy—that is, if he demonstrates a lack of understanding of their view of the issues under discussion and their feelings—his audience will disengage from him. One way to demonstrate empathy with an audience is to talk about them.  Make your content listener-centric. First, show an understanding of their situation and then introduce your product as the solution they seek.

              For instance, if presenting a new product to a new customer, first demonstrate that you are familiar with the difficulties of their business. As you elaborate on your product you are progressively linking its features and functions to your audience’s needs. Though you have shown how good your product is, you have framed it around their experience. This may seem manipulative, but it’s not: Empathy is not the same as sympathy. Sympathy implies that you feel the same as the other person.  By using empathy, you are more able to get and hold their attention by making your ideas more relevant to their frame of experience. If you are truly trying to help them, your skill is not manipulative.  It is caring and constructive.   

           The event is multimedia, but not for show.  Audio, video, photographs, and illustrations, are used to demonstrate and illustrate ideas.  The speaker has a complete command of these aids, and they seem to follow the speaker in a natural, flawless sequence. 15 The audience leaves the event feeling alive, refreshed, energized, and entertained.  They are motivated and inspired.  They leave with a feeling of connection with the speaker as if they were spoken to directly and intimately. They want to hear more from the speaker and learn more about the speaker. The channel of communication is the fourth ingredient.

           A great presentation triggers the desired behaviour in the audience.  Whether the speaker, or meeting organizer, intends to generate sales, education, inspiration, or entertainment, achieving those goals is the single most important purpose of the speech.  Speakers are assembled for an express purpose, and the more successful you are at accomplishing the meeting’s objectives, the more in demand you will be as a speaker.

INFORM: The audience is there to learn something.  For whatever reason, YOU have been chosen as the instructor.  Herein lies a great responsibility.  But don’t sweat it.  This booklet contains a few secrets which will relieve the weight of this burden and allow you to focus on creating a simple, memorable message.

CREATE: In developing your talk, you must allow yourself the freedom to present the information in a novel way.  Remember, the audience is there to SEE YOU deliver the material.  The purpose of a live speech is NOT to “read aloud” what may already be written.  Instead of reading what you or others have already written, try to bring the topic to life.

How To Do It

              So, you want to speak.  What will you speak about? Pick a topic which is at the intersection of your EXPERTISE, your PASSION, and the AUDIENCE’S INTEREST.  This is a guarantee for SUCCESS.

YOU ARE THE EXPERT: Whatever topic you choose, make sure you combine solid broad-based knowledge with focused research in order to have a defensible ‘expertise’ in the subject.  This deep knowledge of the subject is critical as a backdrop for your much simpler and concentrated talk: the intent is not to tell the audience everything about the subject, or, for that matter, everything you know.  Instead, it gives you the confidence necessary to display a certain sense of authority, as well as prepares you for the plethora of possible questions which may be asked.  Any hint that you are merely a ‘messenger’, or your knowledge is shallow will be readily apparent to the audience, and will swiftly destroy your credibility.

PASSION: You may know your material well, but it’s your passion that will bring it to life.  Not only will your expertise be amplified by your enthusiasm, but your demeanour and energy will reflect this excitement and dedication in many ways, some of them subtle and not easily faked, and will impact the audience reaction, and ultimate response, to your message.

AUDIENCE INTEREST: Who cares about what you know and love?  It should best be the audience!  What better combination of ingredients than a devoted expert in front of an engrossed, friendly crowd.  In fact, this is a speaker’s dream.  A careful selection of material, customized for specific listeners, is a critical step in composing a successful speech.

YOU ARE THE FILTER.  You’ve spent years studying your choice topic, and are obsessed with every detail.  Now you have a big presentation to do and have further tuned your knowledge, so your expertise is irrefutable.  Finally, you will have your big break to show off your stuff in front of your colleagues, your boss, or an assembly of ‘who’s who’ at a big conference.  Here’s a common pitfall: the impulse to tell it all.  As a tribute to your favourite subject, you assume that ‘expertise’ means ‘the ability to condense everything I know into a 45-minute production’.

        This ‘leave nothing out’ thinking has doomed more talks than dog-eaten notes, lost luggage, and laryngitis combined.  In fact, you should leave most of it out.  The elegance of a clear, concise, inspiring speech is what separates the exceptional orator from the good.  Let your familiarity with the subject, your enthusiasm for it and your resultant confidence give you the freedom to distill the subject into a few clever, interesting ‘take home’ points.  That is, break down the subject matter into a few simple points, and THEN build your talk around them.

YOU ARE THE VOICE: BREAK DOWN FIRST, THEN BUILD.  How many concepts will the typical person remember the day after a talk by even the most skilled speaker?  ONE.  That’s right.  And only if you’re lucky.  So do yourself, your audience, and the topic a favour: hand-pick a single, core message.  Before you write a single word, pick ONE IDEA that you will weave throughout the fabric of your speech: a recurrent theme that is played, and re-played, in a variety of forms. Think of the whole purpose of your speech as this: if polled the following day, every member of your audience will give the exactly same response if asked, “Hey, what was the talk about?”  A unanimous response to that question is arguably the single most valid indicator of an effective speaker.

CLARITY AND CONCISION.  Having a single core message is also a fantastic tool for crafting a clear and concise speech.  It helps as a benchmark for every point you intend to add: Does it support my core message?  If the answer is ‘no’, leave it out.  That one little secret is the best way to avoid feedback such as “The speaker seemed to ramble on and on”… “It was interesting at times, but I didn’t understand the main point”

YOU ARE THE STORYTELLER:  People like good stories.  We seek them out: Books, movies, Broadway shows, comedians, and even friends at a party love to relate stories to each other.  Stories are a natural way for people to connect.  Why?  The human brain thinks in links and associations. That is a long version of the term ‘stories’.  A story contains a natural, pre-formatted, timeline-oriented flow of information emanating from that giant repository that is the brain.  And as human creatures, our brains are hard-wired to extract useful information in both inter and intra-lobe pulses.

          Hark back to our caveman days: a youngster learns to hunt by watching his father sharpen a stone, lash it to a stick, stalk a deer, make the kill, and prepare the meat.  He learns to hunt by inferring the essential information from a day in the woods: a story.  NOT by bullet points on a cave wall:

  • sharpen arrow
  • assemble spear
  • find deer
  • kill deer
  • butcher it for venison

          Although an informed, experienced person may reduce his knowledge to an essential list (ie: “bullets”), that list is not the most efficient, nor interesting, way to teach those points.  Instruction is delivered most effectively within a context: deep in the woods, immersed in the hunt.

             Make your points within a story.  But don’t just tell the story: live it!  That’s right: the hunter SEES the deer, HEARS the leaves crackle, SMELLS the forest, FEELS the arrow, and TASTES the meat.  Your audience will learn best if you BRING TO LIFE your story.  Pictures, props, video, audio: anything you can do to animate your story will not merely entertain and captivate your audience: it will enlighten them.

NO TELEMARKETERS!  CONNECT WITH YOUR AUDIENCE.  What’s more annoying than a dinnertime phone call from an unwanted salesman robotically reading from a script?  And why do we despise this experience so much?  We have trouble connecting with rigid, phoney, disrespectful, flat people.  We just do.  So your stage persona must embrace the antithesis of everything we hate about telemarketers.

BE LIKEABLE.  Instead of a rigid script, an audience prefers a live voice, replete with subtle imperfections, speaking to you, and responding naturally to questions and interruptions.  A fluid, unique moment, devoted to you, the listener.  A person who respects you.  In the amalgam of business, what sells most is a good relationship, even leading to friendliness. You must be a smiley face, enthusiastic, engaging and passionate about your work, display excitement when talking about it because enthusiasm, passion and excitement are contagious. They allow you to connect with others and be considered a likeable person. THAT is the model of a well-received speaker.

PERSUASION TECHNIQUES. Before getting down to preparing your projection technique, you need to evaluate the personalities of the decision-makers attending your presentation. No two people have the same personality, making your task more difficult since people with different personalities prefer different types of approaches if dealing with them. This is equally applicable to the general staff, if any, in your audience, as they will absorb your inputs as part of their learning curve and then anticipate managerial directives issued by the decision-makers after the presentation. The major issues are:

  • Are they ‘extroverts’ who discuss the issues before reacting or ‘introverts’ who put their mind to work on the subject, derive a ‘best method’ and then react? Are they flexible and willing to accept changes, based on the thought processes of contemporaries? Or are they ‘thinkers’, who want hard facts with invariant values to evaluate cost-effectiveness?
  • Are they ‘sensory’ in that they want issue-specific minutiae like Probability of Error and Standard Deviation values, or ‘intuitive’ and satisfied by a holistic picture? This is critical for the general staff, as they will turn selective at this point, absorb issues specifically relevant to them and tune out the rest. The more responsive will also position themselves in the section of the big picture that they feel applies to them.
  • Are they welfare-oriented ‘feelers’ who take cognizance of people’s sentiments or are they men of action, ‘pushers’ who are perennially snapping their fingers once the go-ahead has been given? Or, are they ‘perceivers’, willing to keep their options open? 

       As a speaker, you may not know the personality of everyone in your audience. In such a case, do your homework and get to know as much as you can about these people, their habits and proclivities or any clue to their psyche. Try and get to speak with them, allow them to do the bulk of the talking and pay close attention to what they say and how they word their sentences. Being aware of what type of people they are is a tremendous asset in the formulation of your presentation. Intriguingly, your success as a speaker depends greatly on your skill in identifying a person’s personality type, in turn regulating your style of presentation.

Types of Personalities Amenable to Persuasion

          As a speaker, you need to focus on just two sets of personalities:

1.     (S) Sensor – (I) Intuitive

2.     (T) Thinker – (F) Feeler

           This provides the max four combos, viz., S-T; I-T; S-F; I-F.

           Thus, you will get four presentation strategies. For the S-T grouping, present a step-by-step logical analysis and focus on the evidence. For the I-T grouping, start with an overview and offer well-analyzed practical options and logical alternatives. The S-F pairing is best approached with details and elaboration on how these details will affect the people involved. Focus on the relationship. Finally, on the I-F set, present the big picture and demonstrate how your proposal will impact people’s lives, values and feelings and help the other persons realize their vision.

            An audience will be much more receptive to the message of a speaker they like.  Major axiom: if you alienate your audience, you sink your message. Plain and simple.  On the contrary, if they like you, they will like your message: simple human psychology at work.  So how do we stand in front of a roomful of strangers and win ‘em over?  We will look at the major components of attractiveness.  But first, let’s examine sure-fire ways to annoy your audience.

MASTER LIST OF WAYS TO ANNOY YOUR AUDIENCE:

  • Waste their time.  Being an unprepared speaker will annoy your audience.  Their time is valuable.  Forced to sit and keep quiet in your presence, they will resent having to listen to a poorly-prepared hour of junk.  First, they will resent you.  Then they will resent your message.
  • Brag about yourself.  Your resume is impressive:  You’ve published 214 peer-reviewed articles, are the Chairman of 11 worldwide committees, sat at the President’s roundtable on Important Policy, appeared on national TV, wrote six books, and won the Big Cheese award at the Ricotta County Fair.  Guess what?  Nobody cares.  Actually, they do care: that’s probably what got you invited to speak in the first place.  And your introduction by the meeting host will laud your accomplishments just fine.  Good.  Let them do it.  That’s their job.  Not yours. I must reiterate that you are liked best when you are self-effacing and can narrate comical situations where you are the butt of the story. Warning: Limit your story to 60 seconds max!
  • Boast that your company is no 1 in your area. The sceptic will interpret that statement that means that as a customer, you mean much less to your company than to your competitors. “Last year we saw profits increase by 25%.” Again, it could mean that we took everybody else's money; this year we are after yours.
  • Brag about your resume. Your job is to seem approachable, and by bragging about your resume, you will nix any hope of people feeling connected to you.  As humans, we are naturally intimidated by those of higher status.  Your job as a speaker, then, is to seem like a regular person: match your apparent status to theirs.       
  •  Perceived inequality of status. Resembling a bum off the street will destroy your credibility, but a lofty and omnipotent image will have the same destructive effect on your ability to communicate.  Again, this is basic human psychology at work: people feel most comfortable listening to someone they perceive as being of equal status.  Equal: neither higher nor lower.  If the audience can identify with your qualities and status, they will automatically feel a warm, human connection.  By constantly reminding them of your superiority, you lose any chance of building this connection.  If the audience doesn’t connect with you, will they NOT connect with your message.
  • Insult their intelligence.  There are two situations where it is perfectly appropriate for a speaker to read legible words directly off a projection screen: in a roomful of 1) young children, or 2) illiterate adults.  Amazingly, this is one of the most common speaking blunders.  Nothing screams ‘amateur speaker’ louder than this tactic, yet this same theme is played daily in boardrooms worldwide.  Please, if you choose to do this, don’t tell anyone you read this book! Don’t mix this up with the use of a laser pointer. If you have made a telling point and then the slide comes on, read the slide silently to yourself and when you reach the point that you want to stress, point the laser beam at it and say, “Yes, there it is.” Nothing else is required. At times, you may have to explain line drawings or a graph or a chart. Use the laser pointer freely to make your point. But make sure you coordinate the two; what you are explaining and which issue the laser is pointing at! You may need to keep the slide on for some time, as you explain a subject in detail. Given the fact that the audience prefers visual to audio, use the pointer to remind the listeners where you are on the slide. 

MAJOR COMPONENTS OF SPEAKER ATTRACTIVENESS

BE HUMAN.  Instead of the robot telemarketer, be a live person.  With all the imperfections that make up a live moment, your audience will come to like you, merely by sharing space with another creature like themselves.  It’s OK, even preferable, to make an occasional error: that’s an opportunity to laugh at yourself.  By allowing your audience to see you as a normal, fallible creature, you create the human bond which opens them up to your message. At the risk of being repetitive, I must reiterate that being self-effacing is a virtue, not a defect.

BE RESPECTFUL.  The meeting is not about the speaker: it’s about the audience.  Without them, you are nothing but an animated weirdo carrying on in a big, empty room.  Respecting an audience means acknowledging the valuable time spent in your presence.  This is best accomplished by being well-prepared, and by using quality audio/visual materials.  A rambling talk with bad slides is disrespectful to your audience.

BE APPROACHABLE.  This is the human connection idea: let the audience see you in the same social category as they are.  This sense of harmony is crucial.  But wait: the host just applauded my accomplishments as he read my introduction.  Oh no!  I’m doomed.  There’s no turning back from ‘Superman’ status now.  Antidote: self-deprecating humour.  Knock yourself down a few rungs by laughing at yourself. Collect about 20 jokes on the ‘dumb Polack’. That’s easy. Now substitute that Polack with yourself. This is a great idea because no ‘dumb Polack’ joke lasts the full 60 seconds!

BE PERSONAL.  This means customizing your interaction.  Learn as much as possible about your audience, the conference agenda, the context of your talk, and your host.   Your efforts will pay off in this area: many professional speakers fail to adequately adapt their content to the specific event.  Even in the hands of a seasoned speaker, a generic talk appears ‘canned’.  By knowing a few basics about your audience, the subtle hints within your talk will come across as a well-prepared delivery.

BE FUNNY.  People love to laugh.  Figure out ways to make it happen.  Tell a funny story, especially one in which the object of the joke is you.  Show a cute or humorous photo or cartoon.  Sprinkle a few witty lines or amusing observations here and there.  When people are laughing, they are having a good time.  If they are enjoying themselves, they will enjoy your message. Remember this one-liner if perchance you slip or stumble and fall. Stand up, dust yourself and look at the audience as you say, “At least I fell into good company.”

MOVE AROUND. I don’t mean perambulate. I mean: Make every member in the audience refocus on you. This keeps them alert and they stay with you, instead of drifting off into dreamland. Use your fingers, hands and face to good effect. Do not point at anyone. That’s bad manners, apart from making that person squirm in his/her seat. Only school teachers and ball-game coaches are allowed to use their fingers. Shift a couple of steps at a time and with each shift, identify who is focusing on you intently. These will be people who you can make and keep eye contact with. Remember to also move forwards or backwards a step or two as you move about. This means you are always moving diagonally, forcing the audience to refocus in two planes. A lateral mover resembles a crab, and the distant members in the audience do not really need to refocus. In twenty-five minutes, traverse the entire width of your walking space at least twice. Left to centre-centre to right, right to centre, centre to left. Also, when you say-as indeed you must-that you have handouts for everybody, make sure you are, in general, travelling towards the podium. As you utter the word ‘handout’, reach behind the podium and pull out a folder, display it and replace it. Now use this one-liner: “What do you call a Filipino contortionist? (5-second pause). A Manila Folder.”

Planning The Delivery

          You have thought in advance about your speech and you are confident that everything is in the bag. But there are some issues that tend to get left out. Where you deliver your presentation is critical. It must enhance and not militate against your presentation. Take a trip to the location, the venue where your speech you will be speaking. Determine ahead of time what the facilities are like. This way you can plan your delivery or make necessary adjustments, if any. Meet the people involved in the logistics of your presentation. Ask if every seat has a mike. A sidelight? Will they be providing notepads and pencils? Be flexible with the meeting planners, as this is their job. They do this all the time and have a big say behind the scenes.  Standing out as a friendly, adaptable speaker will get you rich dividends in the form of a smooth session, logistically speaking.

            Have you met your superiors? At times, your boss may want you to put a particular point across. If it jells with your story, go ahead and do it. If it doesn’t, get the audience involved. Flash that issue on the screen, discuss it dispassionately and ask, “What do you think about this point?” You will get a pro-boss response very quickly, much faster than you expect. Latch on to this person and amplify the point, bringing it into what you think is neutral territory. This is your escape route; use it wisely. If too many people want to join in, smile and defer it to the post-coffee-break session. And say so.

           Look for poor internal acoustics, temperature control, ventilation, lighting, obstructed views, soundproofing from external noise, the smell of fresh paint or any other irritants. Will you need room fresheners? The next step is to test stuff. That can only be done on the day of the ‘big event’. Arrive early and test your slides, including screen format and focus, volume of audio, pointer, remote controls and anything else you plan to use. Use the room freshener early and check that notepads and pencils are laid out correctly. 

          To be able to devote undivided attention to a presentation, the audience must be comfortable. If they are not, then their mind will keep wandering into the zone of discomfort. If someone is feeling cold or hot or has his bladder full, his priorities change and you lose a member of your audience. As the speaker, you and your audience must be on the same page every moment of the program. You can’t afford to give them any reason to think of anything but your message. Poor speakers launch members of their audiences into journeys of fantasy, from which they cannot really return.

Points to Consider

     You have to make an impact with your delivery.

  • As stated earlier, start with an attention-getter.
  • Then, be vocal and grip your audience with riveting storytelling, using all available resources (sing, juggle, play the bassoon!).
  • Use vivid imagery, analogies/metaphors, and if you can, surprises.      
  • Move around in the manner suggested.
  • Use props if required, as part of your visual aids, along with slides.
  • Ask a rhetorical question or two. Though audience activity adds interest to the goings-on, limit it to the minimum. It’s your day and you don’t want a raconteur stealing your show.
  • Balance theory with practice.
  • Balance stories with logic.    

          Don’t be shy of using gestures and dabs of humor. Mimic activities, as long as you don’t have to try and emulate Bob Beamon or Sergei Bubka.  We always think we are more animated than we really are.  If you gesture or demonstrate, don't be hesitant....be deliberate. Hesitant attempts always look weak and fear of failure leads to failure!

          Always retain eye contact. Eye contact is a non-verbal ability to communicate. According to Jan Castagnaro, an old Yiddish proverb says16, "The eyes are the mirror of the soul", and they are. Eyes can captivate an audience and express what words may not be able to deliver. A word is a word, but a word expressed upon the sincerity of the eyes will allow the words spoken to reach the minds of those they are spoken to. This is why eye contact is important. Americans believe eye contact conveys the truth and are credited with coining the phrase, “Look me in the eye.” JD Jefferys makes exceptions of Presidents of the United States.

Your Slides

            Slides are keystones of your presentation. They act as indirect guides to the direction you want to take, and are cues, both to the audience and you as to what’s next. You actually do not need slides for your talk. You can rattle it off in your sleep. But they are needed by your audience. And they’ll drift away if there is just a voice in the background, no matter how good the modulation. Make each slide unique; it’s your presentation, not MS PowerPoint. Spend the extra time, and possibly a little cash if you don’t know Photoshop or Coreldraw, on a visually appealing look consistent with your image. Of the many fonts suggested for a slide, I recommend Sans Serif in a large size. Use the fewest words to remain decipherable (target: 5 or less) and keep your bullet points down to three, with no or minimal use of animation. The ideal setting is muted lights, preferably at 66-75% luminosity, depending on whether the room has dark drapes (dark drapes need higher luminosity so that the audience won’t get sleepy). This means a light background with dark letters will work best.

            A darkroom presentation means that a dark background with light letters works best. Drapes absorb sound, so speak louder. Moreover, embedded photos/artwork/video always looks more professional than an interruption in the slides to run a separate program….learn how to do it. Remember to carry a dozen-odd CDs of your presentation, just in case people ask you for a copy.

            A Very Important point is that you must expect quite a few questions. Anticipate the type of questions and answer them on pre-prepared slides. Have a list of slides at hand and just call for that number. This single tip can mean the difference between a massively pro result for you, when compared with other good presenters. You have displayed the forethought to surge ahead of your audience and be proactive! Very few speakers know this-now you are one of those.

Your Handouts

          Remember, your handout is a durable version of your presence.  It is a reinforcement of your time spent with your audience, and will last months or years beyond your speaking gig.  Instead of that time spent at the bottom of a junk drawer or, more commonly, in the next day’s load of trash, why not harness this excellent opportunity to allow your handout to trumpet volumes about you, your expertise, and your professionalism?

          Your handout can and should:

1) Serve as a lasting reminder of your content, and carry much more depth than a conference will allow: this will reinforce your expertise.

2) Reach people who were not able to attend your conference, thus expanding the reach of your message.

3) Impart a polished, respectable image, thus enhancing your image as a professional. If someone inquires the next day “Hey, I didn’t make it to the talk, do you have the handout?”…what do you want to put in their hands?

         Handout Considerations

If background material is necessary for an effective conference (i.e., background scientific articles, financial data), distribute it a couple of days in advance. These are rare occasions and obviously carry the risk of distraction if part of the audience shows up at the conference with the material. But your presentation will be so engrossing that people who have brought the handout along will, perforce, use it after the coffee break. 

If a take-home package is desired, distribute it in the break or after your talk.

Although practically universal, the habit of distributing a handout immediately before your talk almost GUARANTEES a distracted crowd.  What do you think they are going to do?...that’s right…they will READ YOUR HANDOUT instead of listening to you!

Ensure that you are distributing something worth reading and keeping and not garbage! It projects your image WAY beyond the conference room.  How do you want to be remembered?

Handouts made from within PowerPoint are a dead giveaway of incompetence. They scream ‘amateur’ from the rooftops and insult your audience by suggesting that your slides are all they need to know!  Also, good slides are lousy as a handout, since they should be almost wordless, and thus useless as a stand-alone printout.

-Writing up a brief outline as a handout is not advisable.  Although your dense outline or speaker notes make sense to you, a reader will have a hard time using that information.  Further, it suggests that your handout is an afterthought and that you do not value the handout as a worthwhile focus.  Remember, your effort spent on creating a handout is both a reflection of your respect for the content of your message, as well as your respect for your audience.

Practice Tips

-Practice in front of a video camera.  This helps you SEE yourself delivering the speech. Break untoward habits of fidgeting, pacing, vocal filler (um, ah’s), and mannerisms.

-Practicing in front of a mirror is not advisable.  This will make you look phoney.  Why?  Natural acting is a skill we all possess within…we DISPLAY our emotions automatically via facial expressions, vocal inflexions, body language, etc.  As you see yourself in a mirror, you correct that fault all right. But you are bound to repeat that fault when live. Instead, learn to let the natural emotions flow.

-Memorize the essence of the speech, NOT the verbatim transcript.  Practice in chunks.  Keep an outline handy with keywords to jog your memory in case you get lost.

-Be able to speak WITHOUT slides.

-You will perform just like you practice.  If you want to seem natural on a stage, try to practice there.

-Just before you appear on stage, immerse yourself in a ritual.  Imagine a relaxed, cherished, funny moment or idea.  This will help you appear loose, funny, and animated IMMEDIATELY.  If you hit the ground loose and run, your talk will get off to a great start.  Your audience will feel your energy and relaxation…that’s what they want!

What to Avoid at All Costs

NEVER read your slides aloud.

NEVER fail to test equipment that will be used during or after your presentation.

NEVER use ClipArt.

NEVER give the impression that your audience is beneath you.

NEVER even THINK of your talk as a ‘slideshow’ or PowerPoint.

NEVER stand behind the podium. You then hide half your body behind an unassailable fortress.

NEVER use technical jargon unless every audience member knows what it means.  You will piss people off.

NEVER build a speech around your slides.  Slides come later.

NEVER put your hands in your pockets.

NEVER push out garbage as your handout.

NEVER make ‘handouts’ from within PowerPoint.

NEVER write up a brief outline as a handout. 

NEVER practice in front of a mirror.

What to Anticipate

Murphy’s Law: If something can go wrong, it will. The unexpected is guaranteed to happen.  An expert presenter takes them in his stride and rolls with these events. In time, you will develop a sense of humour that will allow you to pull out an uproarious quip.

 

 

 

 

 

 

 

 

                                  

Tuesday 11 July 2023

IS THERE AN EIGHTH HABIT?

 THE ART OF LISTENING

Blending Voices: The Win-Win mindset is the principle behind this alternative. It is not important for both parties to think win-win. Only one party has to believe in this mindset. That one party must prepare the other party by practising empathy and deep listening until the other party feels trust.

The most important skill in life is communication and this can be broken down into four categories—reading, writing, speaking and listening. Of the four, listening represents 40 to 50 per cent of communication time. Unfortunately, only a minuscule percentage of people have been trained formally on how to listen.

Below are the five levels of listening:

  • Ignoring.
  • Pretending to listen.
  • Selective listening.
  • Attentive listening.
  • Emphatic listening.

1.  You must be willing to search for a solution that is infinitely better than what all parties have proposed.

2. You must agree to one simple ground rule—no one can make his or her point until they have restated the other person’s point to his or her satisfaction.

One Voice: pathfinding shared visions, values and strategy.

As already stated, the Eighth Habit is a combination of attitude, skill and knowledge. To be a great leader you need more than your trustworthiness. You need to be able to guide people on how to become better individuals. People need a model to see how they can work and lead in a different way. It is worth reiterating that pathfinding is the toughest undertaking of all since you have to deal with many issues, personalities, agendas, levels of trust and egos. To fully comprehend and execute the pathfinding role, you must know and wrestle with your realities. You need to clarify these four realities before you can focus on where the organization is heading.

The Four Realities:

1. Market realities: how do the people in the organization perceive the marketplace?

2. Core competencies: what are your unique strengths?

3. Stakeholder wants and needs. Target consumers, suppliers, owners, and employee needs.

4. Values: central purpose of the organization.

Through group interaction, create a written mission statement and a strategic plan. A mission statement should include your sense of purpose, your vision and your values. This is your goal—your roadmap. A strategic plan describes how you will provide value to your customers and stakeholders. This is your focus. Your strategic plan tells you how to be on track. Properly empowered mission statements are usually produced when there are enough people who are fully informed, who interact freely and synergistically and who are in an environment of high trust.

Alignment and Empowering

Aligning goals and systems for results:

The second major source of trust is the organization. However, an organization requires both organizational character and organizational competence. These are the very principles that people have built into their value systems. These principles are the basis for designing structures, systems, processes and personal values aligned with organizational values.

Discipline is needed at this phase. You need to be able to align your structures, systems, processes and culture to be able to realize your vision.

Aligning requires constant vigilance. It requires constant adjustments due to changes in realities. Systems must be changed to keep up with the times but must also be based on unchanging universal principles.

One alignment tool that you can use is the Balance Score Card feedback system. This system can inform you if your strategy is still in-line with your mission, or if you are still on track in meeting your goals.

The Empowering Voice- Releasing Passion and Talent

Empowerment is the result of personal and organizational trustworthiness. It allows people to take control, manage and organize their lives and careers.

When people are empowered, the leader ceases to be the boss. He becomes a servant to the organization. It shows that the leader is not afraid of losing control. Rather, the leader is giving his people the power to take control of the things that directly affect them.

Leaders create a much higher degree of flexibility, adaptability and creativity by focusing on the maturity, character and competence of each team member.

Empowerment and Performance Appraisal

1. How is it going?

2. How are you learning?

3. What are your goals?

4. How can I help you?

5. How am I doing as a helper?

Summary

The Eighth Habit and the Sweet Spot

The Eighth Habit gives you the key to understanding and unleashing both your own potential and the potential of the other people around you. As a review, you must remember what part each role player plays and their importance:

1. Modelling: inspires trust without expecting it.

2. Path-finding: creates order without demanding it.

3. Aligning: produces institutionalized moral authority.

4. Empowering: unleashes human potential without external motivation.

Modelling and pathfinding give you focus. Aligning and empowerment, on the other hand, make things happen, and are based on the permanence of focus.

Six Core Drivers to Execution

1. Clarity.

2. Commitment.

3. Translation.

4. Enabling.

5. Synergy.

6. Accountability.

The Four Disciplines of Execution

1. Focus on the wildly important.

2. Create a compelling scoreboard.

3. Translate lowly goals into specific actions.

4. Hold each other accountable all the time.

The seven habits you have learned from Stephen Covey’s previous book are still relevant. However, the Knowledge Worker Age calls for the need of an 8th Habit that can help you further in your journey towards personal and organizational excellence.

You must find your voice and inspire others to find theirs. Start by creating your own personal significance. After you have done so, inspire others to do so as well. If you are managing a team, create a trusting work environment where people search for win-win solutions and share visions. With the 8th Habit, what was good can only get so much better.

Monday 10 July 2023

                                                              Gp Capt Noel Moitra  VM
  1. An alumnus of Loyola School and Junior College, Pune, I hold a Diploma in German, obtained in 1972 from Goethe-Institut at Max Mueller Bhavan, Pune. A linguist, I speak French, Hindi and three other regional languages.
  2. Passed SSLC Exam with Distinction.
  3. 1st in UPSC Selection Exam (Air Force) for the National Defence Academy.
  4. 1st in NDA Air Branch Cadets written tests.
  5. 1st in Flying Instructors School, Tambaram, Chennai.
  6. Bagged Majithia Trophy with record marks that still stand.
  7. Did my QFI tenure at AFA


  8. The Majithia Trophy Presented by Air Mshl BW Chauhan

  9. Inducted MiG-21 bis in 1976.
  10. Fastest 1,000 hrs on the MiG-21 bis.
  11. Appointed sub-editor for the Air Force Flight Safety Magazine
  12. Inducted Mirage 2000 aircraft in 1985, after a 10-month training period.
  13. Only pilot to induct 2 types of aircraft.
  14. Fastest 1,000 hours on the Mirage 2000 in the world.
  15. Edited all IAF Coffee Tables from 1990 to 1996.
  16. Staff Officer to 2 Air Chiefs.
  17. Edited all that they wrote, from important letters to newspaper releases, compliments to obituaries.
  18. Did 3 months of flying cross-training in reunited Germany.
  19. Commanded a Mirage 2000 Squadron.
  20. Awarded Vayu Sena Medal in '93.
  21. Only pilot to have fired a S-530D BVR missile; it cost as much as a Mig 21 Bis.
  22. Base Cdr at that Station, with 15,000 heads.
  23. 1st in Staff College Entrance exam.
  24. Did Staff Course in UK.
  25. Did my BBA in the UK (University of Reading).
  26. Did AREA Course in Japan.
  27. Post-retirement, joined a publishing firm, Contact Communications and started commercial journalism, both writing and editing.
  28. Raised its Technical Magazine to a level where it was rated an excellent Asian Technical Magazine at IMB, Cologne.
  29. Rated best Editor/Writer (English-Asia) at a/m IMB in 2006. 
  30. Hired immediately by a leading global aerospace and air armament concern and worked with them till 2010. 
  31. Freelance editor/writer background.  
  32. Equally fluent in both UK and US English. 
  33. Was Editor-in-Chief Cypriot Smart Media Group, Macs Marketing, with their own website macsads.com/ It is still to recover after the Corona pandemic.
  34. Their website written by me still stands, https://4viptour.com/en
                                       
                                                  MORE INFORMAL DATA

Preliminary Data:

DIVERSE SKILLS

Ø  Intelligent, sharp, hard-working, focussed, punctual, work-oriented and a team player.

Ø  Invariably ranked first, since cadet days in 1967, in ALL courses undergone.

Ø  Professional Military Pilot with 33 years of experience in the Indian Air Force (IAF).

Ø Became Instrument Rating Examiner on MiG-21 aircraft.

Ø  Instructor in Flying and Flying-related subjects since 1980. Ranked 1st in the entry course.

Ø  Tested air/ground crew on Mirage-2000 aircraft as sole Air Force Examiner for 5 years.

Ø  Staff Officer to two Air Chiefs, the highest and most prestigious post in that rank (Lt. Col.).

Ø  Wrote over six speeches/obituaries/prefaces/messages/presentations, etc. for both daily, 6 days a week.

Ø  Specialist in editing and formatting mainly official letters and documents, as well as memos, minutes and reports.

Ø  Considerable HR experience, commanding a Flying Squadron and later as Base Commander at an airbase housing 15,000 bodies.

Ø   Awarded VM (DFC) 1993

Ø  Widely travelled, with 56 countries visited, before and after Service.

JOB-RELATED

Ø  Only pilot in the IAF to induct two new types of aircraft.

Ø  Fastest 1,000 hours on both types.

Ø  Wrote a Service Paper on gainful employment of Air Combat Missiles, another first.

Ø  Acclaimed specialist in Low-Intensity Conflict. Have written a thesis, unfortunately ‘classified’, on that subject.

Ø  Have appeared on radio talk shows on the Kashmir issue.

Ø  First writer on a new airflow control device. It has been included in the Aerodynamics  Syllabus for aircrew, as https:// noelsramblings.blogspot.com/ 2023/05/vortilons.html

Ø  First writer on Turning Theory, including FBW aircraft.

  
                    ACM SK MEHRA, CHIEF OF AIR STAFF CONGRATULATING ME ON CROSSING 1000 HOURS                 ON THE MIRAGE-2000

OTHER QUALIFICATIONS

Ø Master of Ceremonies at all types of occasions, including Ceremonial like Parades, Awards Functions, etc. Commentator at Field Hockey, Soccer and Tennis matches. Commentator at IAF Republic Day Flypasts for 12 years.

Ø Have absolute command over the English language and the nuances, inflexions and subtleties that differentiate the exceptional from the excellent (Nickname: Thesaurix).   

Ø In my spare time, taught the English language in a syllabus-oriented open forum for airmen. Gave one-on-one tuition to promising students.

Ø Quizmaster at Scindia School for a bi-annual all-India High School meet for 6 years

Ø Did my Masters in English Literature.

Ø An Indian native English speaker, I have done my education and over 95% of my work in Queen’s English.

Ø Equally at home in US English.

Ø Speech and Content writer of repute.

Ø After retirement, edited 3 trade magazines for 4 years -TrendFusion, StitchWorld and  ApparelOnline.

Ø Wrote Academic/Technical articles while editing and proofreading magazines, pamphlets, novels, novellas, academic & other non-fiction educational works, theses and website content.

Ø Responsible for the proofed content of the company's two websites.

Ø Specialist on the WTO, particularly on the Agreement on Textiles and Clothing (ATC) and all restrictions thereunder(quotas); Corporate Social Responsibility (CSR); the ISO 9000 family of quality control mechanisms; ILO’s SA 8000, etc.

Ø Founder member of StitchWorld International Forum of Technologists (SWIFT), which examined, amongst a host of other issues, what was amiss in Indian workplace ethics, motivation, HRM and the tricky issue of gender discrimination.

Ø Check out: http://www.stitchworld.net/display0.asp?msg=1121&cat=13 and http://www.stitchworld.net/display1.asp?msg=446&cat=TechEvents both written by me. I feature in one of the photographs in the latter.

Ø Have written ~9000 articles/blogs, edited over 50,000 articles and proofread over 75 million words in MS Word, the microscopic Adobe Pagemaker and the Highlighter/Sticky note method.

Ø Edited pamphlets, novels, novellas, academic & other non-fiction educational works.

Ø Did my Masters in Defence Science.

Ø My last job required me to write Military Aviation Concepts and White Papers for my employer and prepare Powerpoint Presentations for them. My contract expired in November 2012.

Ø Read speak and write German fluently.

Ø Taught Personal Finance at Sriram High School two hours a week. 

Ø Help non-native English speakers get exceptional grades.


 First Mirage-2000 landing on a highway

FAMILY DETAILS

Ø Married in 1979. My wife holds a Masters in Sociology and assists me if ever required.

Ø  Have a son, an MBA/BTech, working with Alvares & Marsal in Manhattan, NY, USA.

Ø  Have a daughter, who after 1½ years in the Hospitality Industry, two years with Kingfisher Airlines as an in-flight cabin assistant, is on Faculty in Sriram School, Gurgaon.

Ø  Both are married.

Ø  I have no encumbrances of any sort.


Congratulated by the Base Cdr on landing after crossing 1000 hrs on type

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2. Prices in Euros will be as per the existing exchange rate on the date the assignment is started.

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Ø  Sales Pitch and Sales Page Creation: $0.15/GBP 0.12 per WORD

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Ø  MS Excel Spread Sheets and Database Management System: US$ 60.00 per hour.

     
            Category 5: Oratory

Ø  At Indian Forums: Rs. 30,000 for 15 minutes.

Ø  Overseas: $ 4,500 for 15 minutes.


Ø  Powerpoint Presentations: Rs. 3000/- or $80 per slide. On PD/DVD/CD, as required. 

                  Category 6: Indian Agencies

Ø  I offer Indian agencies a 10% discount.

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Ø  10% extra.  

               
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 Ã˜  Variable. Depends on the exclusivity and the specs of the article. 

              Category 9: Ghostwriting

 Ã˜  Basic charges as listed above. Additional 2.5% royalty on commercial products.

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 Ã˜  Indexing: US$ 1.0 per line.

 Ã˜  Glossary: $1.50 US per definition.

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1. "When the US Economy improves, college enrollment drops."
2.  "Non-standardization and non-compatibility definitely assure monopoly." 

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Sunday 9 July 2023

CARDIAC SURGERY

MEMORIES OF A BROKEN AND MENDED HEART

I suffered a heart attack about 16 years ago. Here is my account of what happened:

As I was rushed to Escorts Cardiac ICU, I just had this sinking feeling in my heart. Just like the one before you enter the Viva Voce hall and see the most khadoos examiner in place, only worse.

The resident there was quite courteous, "Sir, How are you feeling?"

I looked at him groggily and whispered, "Just like Rakhi Sawant!"

He looked at me perplexed. I continued and said, "I feel an unnatural weight on my chest."

The resident didn't know whether to send me off to the Psychiatry ward or not. I said, "Aare Baba, ECG nikaal, nahi toh main nikal jaoonga!"

The funniest part of my heart attack, or "cardiac event" as the doctor there insisted on calling it, was that there was no pain. That would come afterwards when they presented me the bill. But for now I was painless.

"Do you smoke?" persisted the resident.

"I have never tried burning myself, but probably would." My wife nudged me and intervened, "He does not smoke or drink. Just keeps cracking these pointless PJs."

The resident promptly scribbled something on the pad. He probably wrote that the patient was delirious. After peering with screwed eyes at my ECG he said, "Q wave changes."

I said, "I give up. You tell me."

"What?"

"I don't know Kyon wave changes. You tell me."

The resident stopped telling me anything else. He turned to my wife and said, "It seems to be a Minor Infarct."

I don't know what it is with doctors. How can you call any heart infarct minor? If there is an infarct, it is a major thing, at least for the patient. There was also some depressing talk about ST depressions. Here I felt as if an ST bus was driving over my chest, who bothered whether that ST was depressed or happy?

I was immediately admitted to the ICCU and posted for an Angiography the next day. One piece of advice to all Cardiac care units: If you do not want your heart patients to have any further attacks, do not appoint such lovely young nurses. Most of the nurses in the entire world are from Kerala. If all the nurses return home, all the hospitals in the world will come to a stop..And there will be no standing space in Kerala.

There were big notices posted outside the door of the ICCU. "No Visitors" and no "No Mobiles". Okay, so there would be no breaking news dispatches from me. Soon a pretty, young Malayali nurse came and told me "Gaana Gaaneka nai."

This came as a shock to me. Not that I wanted to break out into a song and dance routine. I could understand that visitors might disturb the patient, or even the mobiles. But songs? How could anyone be so unmusical?

I said Okay but was a bit miffed. After many pricks and monitors on my body, half an hour later another pretty young thing came and told me "Gaana Gaaneka nai!"

I was a bit angry. I said, "Yeah! Yeah! Someone told me before also."

But this really intrigued me. Why were they so strict about songs? If they had said that I could not dance due to my heart condition, I could have accepted that. But never in my long medical education had I been warned that singing was bad for cardiac health. I wondered if this was a new advance.

The mystery was cleared when the next Malayali sister, who appeared to be their head nurse, came and explained to me, "Sir, Aap ka blood samble subay saat ko hai. Toh abi Gaana Gaaneka nai. Phir Kaali pet samble lene ke baad Gaana Gaaneka."

I immediately added an interpreter to my mental suggestion box. It must be really tough to interpret Gaana as Khaana. But the Mallus can't help their accent.

After a relatively painless night, mainly because relatives were not allowed, and also due to the various drips and things, I woke up to the prick of a blood 'Samble'. Then I was allowed to 'Gaana Gaaneko'.

All the tests gave worse and worse news. There was an inferior wall infarct which the Cardiologist insisted on calling minor. (I hoped he would remember this while billing me.) My Trop T was raised. In short, this is a help call from the heart. I was posted for angiography and an SOS plasty the next day after stabilisation.

On the morning of the procedure, I got the shock of my life, when a grim looking man entered my room and sent my wife out. He then locked the room and took out a large and sharp glistening razor. Omigosh! This was not how they performed operations, at least not during the last century. Or was this a scene from an assassin movie? The man then turned to me and smiled and said that he had come to shave me for the procedure.

I sighed with relief. One always wants to look nice and presentable for important occasions even if they be the gallows. I smiled back at him and jutted out my chin at him for easy access. But he ignored my chin and pulled down my pajamas. I shrieked, "Hey, Its my heart that is amiss."

"Yes Sir. We need to shave your groin!" Groan Groan!

Five minutes later, I was all spick and span and presentable for my planned procedure. Calling it a procedure, reduces the fear factor from it. If you call it an operation, which it is, you might suffer a further attack. If you call it a butchery, which it sometimes can be, then you need not go to the procedure. I proceeded with a sinking heart, if it could sink any more, to the operation room, which they call a cath lab. It's all about euphemism.

When I entered the 'Cath lab', I found it extremely cold. Was the AC at full blast or was I frightened or was my heart not pumping enough blood? Probably all three. There was soft music playing Hindi songs in the background. The nurse told me to remove all my clothes and lie down on a narrow table. I have already mentioned the weather conditions, so it did not help that here I was completely nude like a fresh plucked chicken, lying on a table, with half my respective buttocks spilling out of the respective sides of the table. The AC vent was directed towards the exact centre of my body.

The Hindi song playing was "Haste Gaate yahan se gujar, Duniya ki tu parwa na kar." That was very kind of my namesake Kishoreda to remind me how to face this ordeal. But I was very frightened. His next verse also told me, "Maut ani hai ayegi ek din, Jaan jaani hai jaayegi ek din, Aisi baton se kya ghabarana, Yaha kal kya ho kisne jaana?" I almost burst out yodeling along with him . OOdle di OOd le di Ooo oo.

The anesthetist approached me and saw me smiling. He was confused. Was this guy so frightened that he was smiling? How could I tell him that I was marveling at Kishoreda's accurate advice to me, a smaller Kishore Kumar.

Then came the good part. Many layers of warm clothes were laid on me. I was shivering, but no longer like the Antarctica. It was more like Shimla now.

The Cardiologist told me that I would now feel a little pain in my groin.

Most appropriately, the song playing now was "Dil hai kaha aur Dard kaha". I smiled and said, "Right, Doc. Go ahead."

I won't go into the gruesome details, but what was visible to me and the entire team there was that my Right Coronary artery was nearly completely blocked. The doctor said, "Yes, a stent will be required.

“Sir, should we insert an Endeavor drug eluting stent?"

I felt ashamed to admit to him that I didn't know a thing about stents. Being a pilot, I only knew about stunts. So I asked him, "What is the difference between this one and the other one?" I didn't know the name of the other one, so I cloaked it in the anonymity of 'the other one'. He said, "There are many differences, but the main one is in the price."

"Then I think you should ask my wife, because she is the one with the purse as well as the purse strings."

After a brief consultation, my wife decided that her husband was after all worth a bit more than this costly stent. But the effect was magical. In front of my eyes, I could see a withered autumn tree of heart vasculature suddenly burst out in full spring glory of new tributaries.

Thus I came out of the 'lab' a new and reborn man. It seemed as if I had thrown off my school shirt and worn a new comfy and roomy one. It was as if I had exchanged Adnan Sami's new shirt for his older ones. No more tightness around the chest. The song playing in the lab when I came out was appropriately "Aaj Main jawaan ho gayi hoon. Gul se gulistan ho gayi hoon."

When I returned home from the hospital after paying the bill, I realized that the old proverb was probably coined by a cardiologist.

Which proverb?

It's the one that says: Jaan bachi, Lakho paye.

Thus my heart tried to spring me a surprise. So I surprised it with a spring into my heart. Now I walk with a spring in my step and one in my heart too!" 

Friday 7 July 2023

BUNDI PALACE

 THE WORK OF GOBLINS RATHER THAN OF MEN

The Bundi Palace with Taragarh Fort walls visible at the topmost portion

Jeypore Palace may be called the Versailles of India; Udaipur's House of State is dwarfed by the hills round it and the spread of the Pichola Lake; Jodhpur's House of strife, gray towers on red rock, is the work of giants, but the Palace of Bundi, even in broad daylight, is such a palace as men build for themselves in uneasy dreams-- the work of goblins rather than of men. Rudyard Kipling 1887

Bundi is a city and a municipality of approximately 95,000 inhabitants in the Hadoti region of Rajasthan state in northwest India. It is of particular architectural note for its ornate forts, palaces, and stepwell reservoirs known as baoris. It is the administrative headquarters of Bundi District. Bundi is situated about 35 km from Kota and 210 km from Jaipur.

Bundi Palace: General description or information about Bundi Palace is rather limited or just duplicated in most websites detailing Bundi today. Bundi (Garh) Palace takes pride of place amongst the Forts and Palaces in Bundi, situated on the side of the hill below but adjacent to the Taragarh Fort. The palace is accessed from the bazaar (north-western end. Originally thought to be built during the 16th and 17th centuries, using stone from local quarries, this outstanding palace represents classic Rajasthani architecture, liberally sprinkled with delicately carved brackets, pillars, balconies and sculpted elephants, crowned by breathtakingly dazzling friezes. However, its construction is now dated to 1598 CE. Moreover, confusion between the Hindu calendar and the Gregorian has led to overlapping periods of reign of various rulers. Rulers were permitted by the Mughals to call themselves Rao, then Rao Raja and finally, by the British, Rao Maharajas. The monuments are closed to the public.  

A closer look at the Palaces 

The Royal Lineage: The list of rulers relevant to this chronicle is given below.

  • Rao Bhoj Singh ( 1585- 1607)
  • Rao Rattan Singh (1607-31)
  • Rao Chhattar Sal (1632-58)
  • Rao Bhao Singh (1658-78) the eldest son of Chhattar Sal
  • Rao Anirudh Singh (1682 - 1696) grandnephew of Bhao Singh
  • Rao Budh Singh (1696 to 1735)
  • Rao Ummed Singh (1749-1770).14 years remain unaccounted for.   
  • Rao Raja Bishan Singh (1773-1821) 
  • Maharao Raja Ram Singh (1821-89)
  • Rao Raja Raghubir Singh (1889-1927)
  • The Core of Bundi Palace:

Rao Bhoj Singh’s audience hall, the Hathiyansal, facing Chattar Mahal (Rao Chhattar Sal’s creation) is the earliest of the major buildings remaining within Bundi Palace. Built by Rao Bhoj Singh (1585-1607), this remainder of Rao Bhoj Singh’s palace is dated S.1655 (1598 CE). Bhoj was the father of Rao Ratan Singh, who built his own audience hall, the Ratan Daulat, on a larger and different building concept, with unique style, sense of space, quality of work, and physical orientation. Ratan Singh’s palace, Ratan Mahal, is behind Ratan Daulat. The inference is obvious: The palaces of these three key rulers of Bundi are closely interrelated, physically as well as dynastically; they form the historic core of Bundi Palace, the core from which later buildings extended. 

Stepping Back Into History: 

The Palace of Raj Bhoj: The Hathiyansal, The Phul Mahal, and The Badal Mahal: When the palace was in use, Hathipol would have been very active. All arrivals and departures took place here, as you could access public/private quarters, including, via secreted passages, the zenana. A stepway on the right led to a raised gallery and into the Ratan Daulat, an audience hall built by Rao Ratan Singh (1607-1631).

This was a high and open hall overlooking the western entrance. At the opposite end, another passage led into a raised courtyard looking down on the Hathipol. The spaces of Bhoj Singh’s palace are small, common to all early Rajput structures. The audience hall of Bhoj Singh is named Hathiyansal for the fine sculptures of elephants (hathiyan) atop its pillars. Immediately above is a set of rooms called the Phul Mahal, with exceptional architecture and nineteenth-century paintings. The upper floor had a partly covered terrace and a jharokha, a window (now closed in) for the people of Bundi to get a glimpse of their Rao.  There is also a single painted room, about 4.2 x 7.5 metres, known as the Badal Mahal (“Cloud Palace”) because of the decorations on its ceiling. Here we sight something very different from anything seen so far and most memorable. The Badal Mahal paintings, composed and completed over decades, are the finest wall paintings in Rajasthan and fashion one of the greatest painted spaces in India.

The Palace Explored Further: 

Ummed Singh contributed the most to the beautification of various halls, staterooms, other rooms and galleries. Kishen Singh, nephew of the issueless Rao Bhao Singh, was given the territory of Gugaur to govern. His son, Anirudh Singh, was adopted by Rao Bhao Singh and ascended the throne in 1682 CE. Traditionally, Rajasthani palaces were compacted from the private spaces of predecessors, as each ruler added new and more extensive quarters to reflect his accession. Palaces were therefore always under construction or renovation. This definite compaction is clearly visible in the photograph above. None of their abodes is open to the public, though an appendage, the exquisitely painted Chitra Shala, a gallery in another Mahal called Sheesh Mahal, is open all week between 9am-5pm. This Chitra Shala, also known as Ummed Mahal, replete with miniature Rajasthani paintings, was built on the express orders of Ummed Singh, dating it to his reign in the 18th century.

The renowned Bundi murals may be seen by a privileged few at Chattar Mahal and Badal Mahal, both part of the vast palace complex.  

Chattar Mahal can be accessed by only one passage, a steep, cobbled ramp. Entry to the palace is through the Hazari Pol or Gate of the Thousand, leading into a small courtyard and the Naubat Khana or the Refreshment Room, then the Hathi Pol (Elephant Gate) with its two prominent elephants and old water clock, the Ratan Daulat which was the main audience hall built by Rao Ratan Singh (1607-1631), and the Diwan-e- Aam (Hall of Public Audience), where there is a marble throne. The famous murals are located on the upper floors, the parts of the palace that are closed to the public. Flash photography is not permitted. Kipling had unfettered access when he visited Bundi In 1887 and his observations may be used to visualise Bundi Palace as it existed in its heyday. 

The palace is wedged into and out of the hillside, in the enormous terrace on the existing terrace, and dominates the whole of the city. Since there has been little change in the Palace or the city since then, Kipling’s notes provide a perspective when going through the palace today. Access to the abode of the Rajas is through “Hathipol” ( Elephant Gate ) to a courtyard, a stable for the King’s favourite horses, with their grooms. 

Aniruddha Mahal and Rang Vilas: 

You have to go through the complex structure at Bundi with a guide officially cleared to unlock the many closed areas. You meander around to see what lies behind the locked doors. Kipling found private quarters, treasuries, courtyards, audience halls and a verdant garden which had a tank for goldfish. This garden is today a garden in name only. 

The large Aniruddha Mahal, an end-17th-century construction is to its west. For want of a source of information, we need to rely on the omnipresent Kipling. You have to step up to Rang Vilas from Aniruddha Mahal. Rang Vilas has a small and open interior courtyard facing the garden, with three sides under covered verandahs. Five inner rooms open onto the courtyard.

These are a room with wall paintings, once a bedroom; a Shish Mahal (a room with mirror work); a store room (with images of Saraswati,  

Gaj Laxmi, and Ganesh over its entrance); a toilet (entrance marked by images of Shiv and Nandi, Durga on a tiger and Ganesh) ; and the Poojaghar (prayer room) of Rao Raja Ummed Singh (1749 to 1770), marked by inlaid ivory doors. At one corner of the garden is a Hamam, or Turkish bath. 

The Rang Vilas has historical pictures and paintings on its panels, with frescoes in black, white and red, of elephants engaged in combat running along the floor. The Rang Vilas, which also has a separate exterior entrance, was the most visited space within the palace with murals which Kipling found fascinating, but which are common throughout Rajasthan. Rang Vilas was probably the Rao Rajas’ private apartment.

The Chattar Mahal: 

Portraits of Rao Raja Ummed Singh are also seen on in another major complex within Bundi Palace, Chattar Mahal. This huge Mahal was built by Rao Chattarsal, [1631-1658] in S.1701 (1644 CE), a Rao killed fighting for Shah Jahan. A beautifully decorated inlaid ivory door leads you into a darkened room containing locally fashioned gilt and silver four-legged beds and portraits of the dead nobility of Bundi. The door in the Chattar Mahal remains, but the furniture and portraits (framed photographs) have apparently been taken away in the recent past.   

A Panoramic View of Bundi and its Palace